Money & Fame
Latest on the world's richest and most famous
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‘SNL’: Druski Dons Whiteface as Elizabeth Holmes in ‘You Can See Everything’ Parody
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Emma Stone Crashes Druski’s ‘SNL’ Monologue in Hilarious Fashion
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James Talarico Crashes ‘SNL’ Cold Open: ‘I’m the Guy Who’s Been Texting You Every Day Asking for $5’
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Emma Stone Joins Druski During His ‘SNL’ Hosting Debut
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Former NCT Member Lucas Wong Makes Acting Debut in Taiwanese Folk-Music Drama ‘A Time’ With Jerry Yan, Ning Chang at Taiwan Creative Content Fest
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‘The Undertaker’ Director Thiti Srinuan Reveals He Defecated on Camera for Real as an Actor in Thailand’s Taibaan Universe
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2026 LACMA Art+Film Gala Photos: Nicole Kidman, Sarah Paulson, Andrew Garfield, Quinta Brunson and More Stars
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Jennifer Welch and Angie Sullivan Apologize for Laughing at “Insensitive Joke” About Charlie Kirk on ‘I’ve Had It’ Podcast
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Camerimage Founder Marek Zydowicz on AI, Aronofsky and Why “Cinematographers Are Artists, Not Technicians”
Rich & Famous
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Bad Bunny Net Worth: How rich is the Super Bowl Halftime show performer? - MARCA
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Original ‘Practical Magic’ Star Alexandra Artrip Reacts to “Negativity” Surrounding Sequel Recasting
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‘Possible Love’ Cast Sobs as Lee Chang-dong’s Epic Embraced at Venice With 6-Minute Standing Ovation
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‘The Echo Chamber’ Review: Alicia Vikander, Luca Marinelli and Susan Sarandon Deliver Slow-Burn Sparks in Challenging but Affecting Portrait of Art and Addiction
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‘The Echo Chamber’ Review: Luca Marinelli, Alicia Vikander and Susan Sarandon Reverberate Through a Smoky, Somber Single-Location Love Story
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Box Office: ‘Spider-Man: Brand New Day’ Remains No. 1 in Sixth Weekend, Nears ‘Avengers: Endgame’ All-Time Domestic Record
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At Telluride Film Festival, Bill Gates Compares Lack of Control Over AI to HAL in ‘2001’: ‘You Could Say “Please Shut Down,” and It Would Say, “OK, I Took That Under Advisement, But…”‘
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Luc Besson Calls Madonna a ‘Phenomenon,’ Admits He’s Developing Another ‘Crazy’ Sci-Fi Story: ‘You Will Need a Ticket — And an Aspirin’
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Bad Bunny Wins First Emmy for Super Bowl Halftime Show
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Robert Pattinson in Primetime Is a Showstopper at Venice
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‘Making Marie Antoinette’ Review: Eleanor Coppola’s Chronicle of Daughter Sofia Shooting Her 2006 Biopic Makes for a Sublime Collaboration of Talents
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Venice’s Lone Female Competition Director May el-Toukhy on Gender Gap: “I’ve Never Heard a Female Director Being Called a Genius”
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‘Possible Love’ Review: Korean Master Lee Chang-dong’s Transfixing Meditation on Economic and Emotional Unease Is a Quiet Powerhouse
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